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Sundown Schoolhouse of QUEER HOME ECONOMICS

Part of Wide Open School at the Hayward Gallery, Southbank Centre, London / June 11 - July 11, 2012 / open 10:00 to 20:30 Tue to Fri and 11:00 to 20:30 Sat & Sun

Day pass: £10 to the Hayward, but get in free if you lead an event or help out
Single events: RSVP to info(at)sundownschoolhouse(dot)org (there also might be the possibility of a special deal)
And especially: let us know if you are interested in proposing an event, workshop, conversation, meeting, or activity for any open period you see in our schedule below

(Book in advance with the Hayward Gallery to receive 25% off your tickets - add FRITZ to the ‘Offer Code’ box under the ‘Book Tickets’ icon, or quote FRITZ when buying your ticket over the phone or in person at any Southbank Centre Ticket Office - valid until midnight on Sunday 10 June.)

The Sundown Schoolhouse of Queer Home Economics invites the local queer community to our temporary HQ for an on-going dialog about 'making ourselves at home' with casual and programmed conversing, cooking, crafting, debating, decorating, demonstrating, discussing, dishing, eating, exercising, hanging out, lecturing, moving, performing, reading, speechifying, talking, teaching, and workshopping related to LGBTQ home-making (inspired by the program of ‘home economics’ developed in the 19th century to educate young women in domestic duties). As a place to queer our ideas of home, it is based in the very queer home of an intimate geodesic dome tent installed over a seating platform and conversation pit surrounded by fruit trees on the rooftop terrace of the Hayward Gallery for their pre-Olympics Wide Open School program.

An open call and invitations to the local LGBTQ community leads to periodic daily programming, which might include skill-building workshops (cleaning, cooking, decorating, knitting, gardening, sewing, flower-arranging, baking, cooking, canning...); relationship seminars (counseling, community, family, children, couples...); and activities related to the creative, financial, legal, logistical, political, and social aspects of queer home-making. Casual drop-in activities will otherwise continue from morning to night, such as book clubs, extended craft-making sessions, movement exercises, potluck meals, and general dialog about today's domesticating queer and ways of queering the domestic.

Fritz Haeg, artist and Schoolhouse organizer, is in residence during the first week leading daily events, starting the program on June 11th with an introductory talk Out and In the Homosexual Home, and introducing the new project series Domestic Integrities. Visitors are invited to bring their old clothes, fabrics, linens, towels, etc. to contribute to the communal making of a rug for the HQ.

Brent Pilkey, PhD candidate at the UCL Bartlett School of Architecture, will have a regular presence at the Schoolhouse through the month as co-curator and scholar in residence, organizing events, leading conversations, conducting research, and continuing work on his thesis Queering Heteronormativity at Home.

 

~ SCHEDULE ~

WEEK 1

~ MONDAY, JUNE 11 ~
...10:00 - 11:30 ~ Morning Movement ~ open yoga session with Fritz Haeg (bring your mat)
...11:30 - 13:00 ~ Domestic Integrities ~ with Fritz Haeg, bring your old clothes, fabrics, linens, towels, etc. to crochet into an expanding rug for the space while we sit in a circle and discuss any queer domestic issues on our minds

...13:00 - 4:30 ~ Wotever World ~ with Ingo Cando (bring your lunch)

Ingo Cando, Creative Director and Producer of Wotever World, will present how Wotever has operated since 2003 as a community based non-profit queer arts and culture organisation, creating a safe and respectful home away from home for all sirs, madams and wotevers. Through Bar Wotever and Club Wotever, this collective have turned spaces such as London's Royal Vauxhall Tavern into a public living room for creativity, performance, humour, ideas and politics. Ingo will reflect on how Wotever encourages a sense of belonging, making people who feel excluded from traditionally defined notions of domesticity, feel at home, and will talk about a specific photographic project, 'the living room'.

...14:30 - 18:30 ~ afternoon sessions & activities TBA
...19:00 - 20:30 ~ Opening Gathering - Out and In the Homosexual Home ~ with Fritz Haeg / Queering Everyday Space in London: Domesticity and Sexual Identity ~ with Brent Pilkey

~ TUESDAY, JUNE 12 ~
...10:00 - 11:30 ~ Morning Movement ~ open yoga session with Fritz Haeg (bring your mat)
...11:30 - 13:00 ~Domestic Integrities ~ with Fritz Haeg, bring your old clothes, fabrics, linens, towels, etc. to crochet into an expanding rug for the space while we sit in a circle and discuss any queer domestic issues on our minds
...13:00 - 15:00 ~ lunchtime program TBA (bring your lunch)

...15:00 - 17:00 ~ Gay Family Trees ~ with Hera Cook

Gay Family Trees – who or what made you who you are? Participants are invited to bring a queer family momento or photos (which can be copied onsite) or to construct their own (non-blood and blood) tree. Who gave you love? Who helped you to feel and become the person that you are? The pain and stigma, the struggle and the effort, also have a place in our lives. These trees are pictures of the links and paths that are absent in genealogies limited to births and deaths connected by marriages. Family history and genealogy has been an astonishing development in the making of history – and there has also been an enormous growth of alternative networks of love : friends, multiple partners, surrogate, adopted, egg donor children – trees that follow new logics. Your tree need not be peopled only by humans; the formative elements in your life may have been animals or might consist of gardens or places, objects might create the connections. It is the connections and creation that will make it your family tree.

Lisa Metherell is an artist and researcher exploring queer encounters with art through a practice-led PhD at Birmingham City University. She has facilitated many creative workshops with people aged from 4 to 80 years old. Dr Hera Cook is an historian of sexuality and emotion and a lecturer at the University of Birmingham. Before becoming an academic she worked in New Zealand theatre and film.

 

...16:30 - 20:30 ~ Film screenings ~ with Sam Ashby, Little Joe Magazine and Paul Green, Avant Gardening (potluck dinner)

Little Joe will present a programme of films that investigate our history of queer(ing) domestic spaces through a number of key queer historical figures, including Edward Carpenter, The Bloomsbury Group and Claude Cahun & Marcel Moore. The programme will also include a presentation by Jacinto Astiazarán who will be talking about Julian Eltinge and his lavish Mission-style mansion in Los Angeles. Eltinge was a silent film era female impersonator who gained great success at the time, only to see his career deteriorate as the times turned more conservative during Prohibition. Jacinto is in the research stage for a short film about Eltinge's house.

Edward Carpenter (10 mins)
The life of pioneering British gay activist, poet, philosopher and socialist Edward Carpenter is explored in this short documentary segment from a regional British TV show filmed in the mid-1980s.

Other/Lover directed by Barbara Hammer (55 mins)
1920's Surrealist artists Claude Cahun and Marcel Moore come to life in this hybrid documentary by filmmaker Barbara Hammer. Lesbians and step-sisters, the gender-bending artists lived and worked together all their lives. Heroic resisters to the Nazis occupying Jersey Isle during WWII, they were captured and sentenced to death.

Carrington directed by Christopher Hampton (121 mins)
Focussing on the unusual relationship between English painter Dora Carrington and homosexual author Lytton Strachey, Carrington also explores the remarkable lives of a group of associated English writers, intellectuals, philosophers and artists best known as the Bloomsbury Group.

~ WEDNESDAY, JUNE 13 ~
...10:00 - 11:30 ~ Morning Movement~ open yoga session with Fritz Haeg (bring your mat)
...11:30 - 13:00 ~Domestic Integrities ~ with Fritz Haeg, bring your old clothes, fabrics, linens, towels, etc. to crochet into an expanding rug for the space while we sit in a circle and discuss any queer domestic issues on our minds
...13:00 - 16:00 ~ The Knitted Habitat with Alex Black - An informal workshop/circle for beginners and experienced knitters and hookers, making both decorative and functional things for the home. (bring your lunch)
...16:00 - 18:30 ~ afternoon sessions & activities TBA
...18:30 - 20:30 ~ Feeling at Home? Queering Home Research ~ co-convened by queer domestic researchers Brent Pilkey (UCL) and Rachel Scicluna (OU)

~ THURSDAY, JUNE 14 ~
...10:00 - 11:30 ~ Morning Movement ~ open yoga session with Fritz Haeg (bring your mat)
...11:30 - 13:00 ~Domestic Integrities ~ with Fritz Haeg, bring your old clothes, fabrics, linens, towels, etc. to crochet into an expanding rug for the space while we sit in a circle and discuss any queer domestic issues on our minds
...13:00 - 14:00 ~ lunchtime program TBA (bring your lunch)

...14:00 - 18:30 ~ Queer Tupperware Party ~ with Jeffrey Hinton

THE QUEER TUPPERWARE PARTY: a very Queer event that took place in London in the mid-1980s.

Residents and friends from 65 Warren Street are featured in the TUPPERWARE PARTY held in Godwin Court, Camden, one of the buildings where the members of the original squat were eventually re-housed. The Tupperware Party features partners in the fashion company BodyMap (David Holah and Stevie Stewart), singer and DJ George O'Dowd (Boy George), DJ and journalist Julia Fodor (Princess Julia), milliner, Stephen Jones, makeup artist, Lesley Chilks, DJ and producer, Jeremy Healy, film maker and artist John Maybury, fashion designer, Eric Holah, DJ Fat Tony, singer, Marylyn
and many more.

Jeffrey Hinton, born in London, is known mainly for his work as a DJ, playing at numerous iconic clubs all over the world for the past 30 years. Jeffrey is also a film-maker, photographer and music maker. He has one of the largest archives of videos, photographs, music and memorabilia - including his own films - of club, fashion and culture in London from 1977 to the present, and also including footage and documents of New York, Paris, Rio de Janeiro, and many other cities internationally. Jeffrey has worked with many designers, film makers and dancers over the years, including Body Map, Rifat Ozbek, Jasper Conran, Jonathan Saunders, Catherine Hamnet, Meadham and Kirchhoff, Michael Clark, Leigh Bowery, Alexander McQueen, John Maybury, Baillie Walsh, Cerith Win Evens. He is currently working on three photo books, as well as DJing and making sound scores, and presenting his archive internationally.

...18:30 - 20:30 ~ A Conversation with Margaret Pepper (potluck dinner)

~ FRIDAY, JUNE 15 ~
...10:00 - 11:30 ~ Morning Movement ~ open yoga session with Fritz Haeg (bring your mat)
...11:30 - 13:00 ~Domestic Integrities ~ with Fritz Haeg, bring your old clothes, fabrics, linens, towels, etc. to crochet into an expanding rug for the space while we sit in a circle and discuss any queer domestic issues on our minds

...13:00 - 14:00 ~ A Conversation About Gay Squats ~ with Jeffrey Hinton and Matt Cook (bring your lunch)

QUEER SQUATS

Jeffrey Hinton will be in conversation with Matt Cook, discussing his experience of living at 65 Warren Street, one of many squats in London during the early 1980s. The economic climate at the time helped bring a group of creative minds together in an unconventional domestic setting, sparking many creative collaborations and friendships. These relationships continue to influence London’s club land, style and popular culture today. Jeffrey Hinton will also show and discuss a previously unseen personal and intimate archive film

...14:00 - 18:30 ~ afternoon sessions & activities TBA
...18:30 - 20:30 ~ Decor, Dining & Homo Entertaining ~ with Pablo Leon de la Barra & David Waddington (more details TBA)

~ SATURDAY, JUNE 16 ~

...11:00 - 20:30 ~ I'm With You ~ all day events co-curated by Christa Holka, Justin Hunt, and Johanna Linsley

with: Season Butler, Becky Cremin, Dragersize!, Foodgasm: Sam Icklow & Liz Rosenfeld, Four Second Decay, Warren Garland, Alison Henry, Christa Holka, R. Justin Hunt, Eirini Kartsaki, ASM Kobayashi, Johanna Linsley, Brian Lobel, Jan Mertens, Owen Parry, Dan Paz, Hannes Ribarits, Sophie Robinson, Benjamin Sebastian, Jungmin Song, Helena Walsh, Lois Weaver, and Eleanor Webber. Performers Attending: Season Butler, Becky Cremin, Warren Garland, Alison Henry, Christa Holka, R. Justin Hunt, Eirini Kartsaki, Johanna Linsley, Brian Lobel, Jan Mertens, Owen Parry, Hannes Ribarits, Sophie Robinson, Benjamin Sebastian, Jungmin Song, Lois Weaver, Helena Walsh, Tim Smith (pending – videographer), and Sophie Allen (Pending – photographer).

~ SUNDAY, JUNE 17 ~

...11:00 - 20:30 ~ In Every Dream Home, a Heartache ~ all day events co-curated by Paul Green of Avant Gardeners

The received images of housekeeping in contemporary Western society are generally based on mid-century concepts of domestic havens; a nuclear family with clearly defined gender roles and power structures. Any deviations from this norm were given short shrift in the post-war world of the mid-20th century, so where did the queer voice fit into this seemingly perfect construct? And how have perceptions altered in recent times? During the day Avant Gardening will be looking at the tensions between the role of the gay person as 'the other' and the juxtapositions between the concepts of domestic bliss, the outsider and the concept of a queer home economics.

Drawing on the high camp imagery of both mid-century domestic bliss and negative stereotypes of gay 'outsiders' from popular culture we will be creating a fanzine that explores the role of home economics in the popular imagination. As part of the creation of a fanzine we will be looking at alternatives to the traditional perceptions of domestic bliss, considering the pressures of conformity and the contemporary view of a gay household. We will also be considering the rituals of domesticity employed to keep the spectres of dirt and disorder from the home and will be joined by Mertle (performance artist, Caroline Smith) for her Butoh inspired cleansing rituals

Join Avant-Gardening for informal chats, wild flower therapy, films and fanzine making as we investigate queer home economics and get cleansing our space

Film Screenings (end of day)
Polyester subverts the dream of the ideal home by having Divine play the original desperate housewife, Francine Fishpaw, who is driven to alcoholism and suicide attempts when she discovers that her family do not live up to the American Dream.
50's/60's advertisements. How the dream was sold to the public. Room here to discuss how this ideal was subverted (Douglas Sirk'-All that Heaven Allows and Todd Haynes’ queer reflection of this in 'Far From Heaven'
Athletics Guild (Bob Mizer) With many gay people conforming to a perceived duty to live their life in a straight relationship they would often find homoerotic images which, with varying degree of believability, portrayed 'manly' pursuits as a cover for homoerotic content. Chief amongst these were the magazines + films of the Athletics Guild which featured semi-naked men enjoying each other’s company

WEEKS 2 to 4

Queering Heteronormativity at Home ~ Brent Pilkey in residence ~ opening hours Tue-Fri from 10:00 to 20:30 and Sat & Sun from 11:00 to 18:00 (Closed Mondays).

 

~ PARTICIPANTS & COLLABORATORS ~

Fritz Haeg, Sundown Schoolhouse

Sam Ashby, Little Joe

Dr Ben Campkin, UCL Urban Laboratory

Brent Pilkey, PhD candidate UCL Bartlett School of Architecture

Alex Black

Hera Cook

Matt Cook

Pablo Leon de la Barra

Paul Green, Avant Gardeners

Jeffrey Hinton

Justin Hunt

Margaret Pepper

Rachel Scicluna, The Open University

David Waddington

...list in process

 

~ CO-CURATOR & SCHOLAR IN RESIDENCE ~

Brent Pilkey, PhD candidate at the UCL Bartlett School of Architecture, will have a regular presence at the Schoolhouse through the month, co-curating events, leading conversations, conducting research, and continuing work on his thesis Queering Heteronormativity at Home.

A SURVEY will start with exhibiting images from Brent's own work, and visitors are then invited to email images of their own home to add to the collection. He is gathering data and conducting interviews aimed at illuminating and interrogating domesticity by asking queer visitors to think about their current home and their dream home. These are some of the questions that queer visitors might be asked:
~ How does your home affirm your queer sexual identity, or does it?
~ Do you think your current home or living situation challenges the idea of domesticity as place for the heterosexual nuclear family? Or does it support it?
~ Would you say that your home limits your freedom in any way?
~ Is home a concept that extends outside of your house? Do you feel at home in other places?
~ If you could change anything about your current home, what would it be?
~ What are some ways that your dream home might challenge the heteronormative nuclear family ideal of home? Or would your dream home be remarkably similar to a typical British home?

A CHARRETTE during the opening week will illuminate some ways that home design might be challenged, and opened up to include a range of sexualities. Architects and architectural students are invited to visit and think about the ways in which home can restrict and support queer subjectivities. This exercise explores the design of homes for queer people: What is a queer home? Would it look any different? Architectural historian Gülsüm Baydar is one of many academics that have begun to interrogate the normalised notion of home, she notes: “...the normative structure of domesticity has largely been the single-family household governed by heterosexual relationships with man as the head of the household and women as the caretaker. Once other figures of masculinity and femininity enter the scene, both the notion of a normative unified subject and the norm of domesticity are challenged, for these others are bound to cite the norm differently.” The outcome of the charrette (sketches/ plans) as well as the data and images collected could also be presented at a conference organized by Brent in December 2012 on sexuality at home.

A PUBLICATION drawing together a range of the best material from the four weeks of events/discussions on queer domesticity at the Schoolhouse will serve as a manual for queer homekeeping/of the queer home, modeled on a 19th cen. domestic / home-making manual. This document will be designed to introduce both queer domesticity and queer history into a form that could be sent to secondary schools.

THESIS: Queering Heteronormativity at Home
First, second and honorary supervisors: Dr. Barbara Penner & Dr. Ben Campkin & Dr. Andrew Gorman-Murray

Abstract
This thesis draws from an interdisciplinary range of sources and sits at a cross roads of architectural history and queer theory. Whilst projects using similar frameworks have existed since the mid-1990s, this thesis both supports and complicates the existing literature. Rather than look to zones of exclusion, such as gay ghettos or sites used for cruising, I focus on the domestic built environment and the homemaking imaginaries of LGBT (Lesbian, Gay, Bisexual and Transgender) Londoners. A study of these often overlooked everyday spaces, I argue, supports the larger queer theorised agenda of overturning heteronormativity. By showing that ‘queer space’ exists in the same everyday architectural typology that the majority of society inhabits, I seek to illustrate that the domestic environment is a highly contested space that cannot be normalised: it is both flexible and fluid, like the modern identities that inhabit it.

For a project that looks at contemporary everyday spaces where queer identity is regularly performed, ethnographic research methods have been key. The main research methodology for the thesis draws on a social science approach where 40 semi-structured interviews were conducted with LGBT Londoners in early 2011 between the ages of 21 to 78, from varying socio-economic backgrounds and diverse nationalities. Additional approaches include participant week-long diaries and photographs. Finally, a further 10 interviews were conducted with service professionals who work in the homes of LGBT Londoners.

Like many of the texts influenced from queer theory, this thesis works towards the goal of creating spaces where marginalised sexual minorities can live a life free from inequalities, such as physical and verbal homophobia and negative stereotypes. By exploring the queering of everyday space in contemporary London, and suggesting specific modes of everyday activism, this project will contribute to the growing body of scholarship on social justice that argues every person has equal right to make legitimate claims to both public and private space.

 

~ BIBLIOGRAPHY ~

BUTT Magazine

Little Joe Magazine

Betsky, Aaron (1997). Queer Space: Architecture and Same-Sex Desire. New York: William Morrow.

Blunt, Alison and Robyn Dowling (2006). Home. London: Routledge.

Cook, Matt (2011). Gay Times': Identity, Locality, Memory, and the Brixton Squats in 1970's London. Twentieth Century British History: 1-26.

Cook, Matt (2011). "Homes Fit for Homos: Joe Orton, Masculinity and the Domesticated Queer.” In What is Masculinity? Historical Dynamics from Antiquity to the Contemporary World, edited by John H. Arnold and Sean Brady. Basingstoke: Palgrave Macmillan.

Cook, Matt (forthcoming). "Queer Domesticities.” In The Domestic Space Reader, edited by Chiara Briganti and Kathy Mezei. Toronto: University of Toronto Press. Forthcoming

Darling, Elizabeth (2011). Finella, Mansfield Forbes, Raymond McGrath, and Modernist Architecture in Britain. The Journal of British Studies 50, no. 1 January: 125-155.

Dines, Martin (2007). From Subterranean to Suburban: The Landscapes of Gay Outlaw Writing. American Studies Journal 50. <http://asjournal.zusas.uni-halle.de/archive/50/98.html>. Accessed 18 May 2010.

Dines, Martin (2010). Gay Suburban Narratives in American and British Culture: Homecoming Queens. Basingstoke, UK: Palgrave Macmillan.

Dines, Martin (2005). Sacrilege in the Sitting Room: Contesting Suburban Domesticity in Contemporary Gay Literature. Home Cultures 2, no.2 (2005): 175-194.

Fortier, Anne-Marie (2001). 'Coming home’ Queer migrations and multiple evocations of home. Cultural Studies 4, no. 4: 405-424. Attached

Gorman-Murray, Andrew (2007). Contesting Domestic Ideals: Queering the Australian Home. Australian Geographer 38, no 2: 195-213.

Gorman-Murray, Andrew (2006). Gay and Lesbian Couples at Home: Identity Work in Domestic Space. Home Cultures 3, no. 2: 145-168.

Gorman-Murray, Andrew (2006). Homeboys: Uses of Home by Gay Australian Men. Social and Cultural Geography 7, no. 1: 53-69.

Gorman-Murray, Andrew (2008). Masculinity and the Home: A Critical Review and Conceptual Framework.” Australian Geographer 39, no. 3: 367-379. Attached

Gorman-Murray, Andrew (2006). Queering Home or Domesticating Deviance?: Interrogating Gay Domesticity Through Lifestyle Television. International Journal of Cultural Studies 9, no. 2 (June 2006): 227-247.

Gorman-Murray, Andrew (2008). Queering the Family Home: Narratives From Gay, Lesbian and Bisexual Youth Coming Out In Supportive Family Homes in Australia. Gender, Place and Culture 15, no. 5: 31-44.

Gorman-Murray, Andrew (2008). Reconciling Self: Gay Men and Lesbians Using Domestic Materiality For Identity Management. Social & Cultural Geography 9, no. 3: 283-301.

Gorman-Murray, Andrew (2007). Reconfiguring Domestic Values: Meanings of Home For Gay Men and Lesbians. Housing, Theory and Society 24, no. 3: 229-246.

Hall, Radclyffe (1996). The Well of Loneliness. London: Virago Press.

Hatt, Michael (2007). “Space, Surface, Self: Homosexuality and the Aesthetic Interior.” Visual Culture in Britain 8, no. 1 Summer: 205-128.

Kentlyn, Sue (2008). “The Radically Subversive Space of the Queer Home: ‘Safety House’ and ‘Neighbourhood Watch’.” Australian Geographer 39, no. 3: 327-337.

Motta, Carlos & Cristina Motta, ed (2012). We Who Feel Differently. Cntrl+Z.

Motta, Carlos & Joshua Lubin-Levy (2011). Petite Morte: Recollections of a Queer Public. Forever & Today.

Nicolson, Nigel. Portrait of a Marriage. London: Futura, 1974.

Oerton, Sarah (1997). “Queer Housewives? Some Problems in Theorising the Division of Labour in Lesbian and Gay Households.” Women’s Studies International Forum 20, no. 3: 421-30.

Pepper, Margaret (2009). “First Person: My True Self has Finally been Released.” The Guardian G2 (Friday 03 April): 22. Available online. Accessed 02 February 2012.

Urbach, Henry (2000). "Closets, Clothes, disClosure.” In Gender Space Architecture: An Interdisciplinary Introduction, edited by Jane Rendell, Barbara Penner and Iain Borden, 342-352. New York: Routledge.

Waitt, Gordon and Andrew Gorman-Murray (2007). Homemaking and Mature Age Gay Men ‘Down-Under’: Paradox, Intimacy, Subjectivities, Spatialities, and Scale. Gender, Place and Culture 14, no. 5 October: 569-584.

Waitt, Gordon and Andrew Gorman-Murray (2010). Journeys and Returns: Home, Life Narratives and Remapping Sexuality in a Regional City. International Journal of Urban and Regional Research. Article first published online. Accessed 07 July 2011.

Weekend (2011) [Film]. Directed by Andrew Haigh. UK: Glendale Picture Company.

 

~ HOME ECONOMICS ~

exerpts from Wikipedia:

Home economics (also known as family and consumer sciences or Home Ec.) is the profession and field of study that deals with the economics and management of the home and community. Home economics is a field of formal study including such topics as consumer education, institutional management, interior design, home furnishing, cleaning, handicrafts, sewing, clothing and textiles, commercial cooking, cooking, nutrition, food preservation, hygiene, child development, managing money, and family relationships. This teaches students how to properly run a family environment and make the world a better place for generations to come.

Sexual education and drug awareness might be also covered, along with topics such as fire prevention and safety procedures. It prepares students for homemaking or professional careers, or to assist in preparing to fulfill real-life responsibilities at home. It is taught in secondary schools, colleges and universities, vocational schools, and in adult education centers; students include women and men.

In the 19th century, home economics classes were intended to ready young women for their duties in the home. Classes were first offered in the United States, Canada and Great Britain, followed by Latin America, Asia, and Africa. International organizations such as those associated with the United Nations have been involved in starting home economics programs around the world.

Etymology: The preferred name of the field of study and profession is Home Economics. Internationally, the field of study has consistently retained the name Home Economics and is recognized both within and beyond the boundaries of the profession.
Content: Situated in the human sciences, home economics draws from a range of disciplines to achieve optimal and sustainable living for individuals, families, and communities. Historically, home economics has been in the context of the home and household, but this has extended in the 21st century to include the wider living environments as we better understand that the capacities, choices, and priorities of individuals and families impact at all levels, ranging from the household to the local and the global community. Home economists are concerned with promoting and protecting the well-being of individuals, families, and communities; they facilitate the development of attributes for lifelong learning for paid, unpaid, and voluntary work. Home economics professionals are advocates for individuals, families, and communities.

The content of home economics comes from the synthesis of multiple disciplines. This interdisciplinary knowledge is essential because the phenomena and challenges of everyday life are not typically one-dimensional. The content of home economics courses varies, but might include: food, nutrition, and health; personal finance; family resource management; textiles and clothing; shelter and housing; consumerism and consumer science; household management; design and technology; food science and hospitality; human development and family studies; education and community services, among others. The capacity to draw from such disciplinary diversity is a strength of the profession, allowing for the development of specific interpretations of the field, as relevant to the context.

Areas of practice: It is also called Human sciences based on everyday work where the setting is our house. Home economics can be clarified by four dimensions or areas of practice:- as an academic discipline to educate new scholars, to conduct research and to create new knowledge and ways of thinking for professionals and for society
- as an arena for everyday living in households, families and communities for developing human growth potential and human necessities or basic needs to be met
- as a curriculum area that facilitates students to discover and further develop their own resources and capabilities to be used in their personal life, by directing their professional decisions and actions or preparing them for life
- as a societal arena to influence and develop policy to advocate for individuals, families and communities to achieve empowerment and wellbeing, to utilize transformative practices, and to facilitate sustainable futures.

To be successful in these four dimensions of practice means that the profession is constantly evolving, and there will always be new ways of performing the profession. This is an important characteristic of the profession, linking with the 21st century requirement for all people to be "expert novices", that is, good at learning new things, given that society is constantly and rapidly changing with new and emergent issues and challenges. Human science is Human science.

Historical skills: In the past, household skills included: herbal medicine, converting hide into leather, soap making, spinning yarn and thread, weaving cloth and rugs, and patchwork quilting. More skills were cooking on a wood burning stove, churning butter, baking bread, and preserving food by drying and by glass-jar canning.

Cleaning: Home cleaning can be analyzed into four parts: litter removal, storage of belongings, dusting, and washing of surfaces. Laundry is a separate subject. Washing of surfaces is the most dangerous and complicated part because of the cleaning solutions. For example, hard water deposits are cleaned with acid solutions and dirt is cleaned with alkaline solutions; they both harm the skin and both weaken each other. Mixing chlorine bleach and ammonia together forms toxic gas. Solvents including paint thinner and rubbing alcohol are toxic and flammable. Disinfectants are poisonous. Even dish water requires rubber gloves.