{"id":6693,"date":"2011-06-05T01:00:46","date_gmt":"2011-06-05T08:00:46","guid":{"rendered":"http:\/\/www.fritzhaeg.com\/wikidiary\/?p=6693"},"modified":"2011-06-15T03:46:42","modified_gmt":"2011-06-15T10:46:42","slug":"on-june-5th-2011-perugias-complesso-di-fontivegge","status":"publish","type":"post","link":"https:\/\/www.fritzhaeg.com\/archive\/2011\/06\/05\/on-june-5th-2011-perugias-complesso-di-fontivegge\/","title":{"rendered":"On June 5th, 2011, PERUGIA&#8217;s COMPLESSO DI FONTIVEGGE &#8230;"},"content":{"rendered":"<figure id=\"attachment_6694\" aria-describedby=\"caption-attachment-6694\" style=\"width: 318px\" class=\"wp-caption alignleft\"><a rel=\"attachment wp-att-6694\" href=\"http:\/\/www.fritzhaeg.com\/wikidiary\/2011\/06\/05\/on-june-5th-2011-perugias-complesso-di-fontivegge\/2011-06-05-p1220128\/\"><img decoding=\"async\" loading=\"lazy\" class=\"size-thumbnail wp-image-6694\" title=\"Aldo Rossi's La Nuova Piazza, Fontivegge, Perugia\" src=\"http:\/\/www.fritzhaeg.com\/wikidiary\/wp-content\/uploads\/2011\/06\/2011-06-05-P1220128-318x150.jpg\" alt=\"\" width=\"318\" height=\"150\" srcset=\"https:\/\/www.fritzhaeg.com\/archive\/wp-content\/uploads\/2011\/06\/2011-06-05-P1220128-318x150.jpg 318w, https:\/\/www.fritzhaeg.com\/archive\/wp-content\/uploads\/2011\/06\/2011-06-05-P1220128.jpg 2000w\" sizes=\"auto, (max-width: 318px) 100vw, 318px\" \/><\/a><figcaption id=\"caption-attachment-6694\" class=\"wp-caption-text\">Aldo Rossi&#39;s La Nuova Piazza, Fontivegge, Perugia, 1988<\/figcaption><\/figure>\n<p>&#8230;the sad deserted wastelandish no-mans-land 1988 iconic civic center with town hall, theater, housing  project, and modern piazza elevated on a parking podium by renowned Italian architect <a href=\"http:\/\/en.wikipedia.org\/wiki\/Aldo_Rossi\" target=\"_blank\">Aldo Rossi <\/a>(with whom I did my <a href=\"http:\/\/www.fritzhaeg.com\/studio\/projects\/facolta.html\" target=\"_blank\">thesis project<\/a> at the <a href=\"http:\/\/www.iuav.it\/homepage\/\" target=\"_blank\">I.U.A.V.<\/a> in 1991) is what I happened upon on my way out of town today &#8211; while contemplating two shockingly out-of-touch and retrograde lectures (that really stood out in an otherwise sophisticated series of <a href=\"http:\/\/www.abitare.it\/festarch\/\" target=\"_blank\">Festarch<\/a> talks and conversations comfortably hosted in this lovely Umbrian hill town) by Peter Eisenman (whose only interest seems to be in making his mark &#8211; that tired old &#8216;architect-against-the-world&#8217; sort of thing &#8211; complaining about sustainability, apparently resenting the pressure on architects to pay attention to the health and well-being of the people, places, animals, plants, land, air and water they impact because it prevents him from sharing his full creative genius with the world &#8211; instead of understanding the possible enrichment of his work by attention to all of that lively complexity) and his wife Cynthia Davidson (who actually said &#8220;&#8230;sustainability doesn&#8217;t need to be done, it needs to be theorized&#8230;&#8221; and &#8220;&#8230;to give in to it is to capitulate to the marketplace&#8230;&#8221; huh?), both of whom seem to be realizing that the narrow territory &#8211; namely style and theory &#8211; that their work concerned itself with during it&#8217;s formative years &#8211; is no longer enough, and now feeling left behind they seem threatened, hostile and from another time &#8211; which is especially unfortunate given the real respect that I had for Eisenman while in college, where I spent a great deal of time reading his texts, writing a paper on his work, and even making a pilgrimage to Columbus in 1989 for the opening of the <a href=\"http:\/\/www.metropolismag.com\/html\/content_0701\/ob\/ob09.html\" target=\"_blank\">Wexner Center<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;the sad deserted wastelandish no-mans-land 1988 iconic civic center with town hall, theater, housing project, and modern piazza elevated on a parking podium by renowned Italian architect Aldo\u2026<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[686],"tags":[939,1774,921,942,1770,917,924,941,952],"class_list":["post-6693","post","type-post","status-publish","format-standard","hentry","category-architecture","tag-aldo-rossi","tag-architecture","tag-cynthia-davidson","tag-environmentalism","tag-italy","tag-perugia","tag-peter-eisenman","tag-sustainability","tag-wexner-center"],"_links":{"self":[{"href":"https:\/\/www.fritzhaeg.com\/archive\/wp-json\/wp\/v2\/posts\/6693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fritzhaeg.com\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fritzhaeg.com\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fritzhaeg.com\/archive\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fritzhaeg.com\/archive\/wp-json\/wp\/v2\/comments?post=6693"}],"version-history":[{"count":21,"href":"https:\/\/www.fritzhaeg.com\/archive\/wp-json\/wp\/v2\/posts\/6693\/revisions"}],"predecessor-version":[{"id":6799,"href":"https:\/\/www.fritzhaeg.com\/archive\/wp-json\/wp\/v2\/posts\/6693\/revisions\/6799"}],"wp:attachment":[{"href":"https:\/\/www.fritzhaeg.com\/archive\/wp-json\/wp\/v2\/media?parent=6693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fritzhaeg.com\/archive\/wp-json\/wp\/v2\/categories?post=6693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fritzhaeg.com\/archive\/wp-json\/wp\/v2\/tags?post=6693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}