…(Hélio Oiticica’s made-up word for his pieces, which is what I am calling my interlocking triangular knitted wearable sculptures – combo cape/caftan/scarf/shawl/vestment/wrap to be worn in public formations, mostly by tribes…
…on the rug (at The Berkeley Art Museum show ‘The Possible’) now around 30 feet in diameter, features over 20 pedestals thoughtfully arranged with this mornings fresh harvests by Edible…
…with a few friends and a few brave and enthusiastic passers-by – where we make a living sculpture, taking turns coming out of it and responding with new…
…closing ceremonies this Friday of the hard-to-describe, village-like, amorphous, ephemeral, makerly, living/breathing show that has been evolving at the Berkeley Art Museum over the past four months, and soon to head north…
…tonight at the Berkeley Art Museum featured parades, masks, banners, and other things you need at an opening ceremony, and on the rug we did a durational movement…
…is coming along (beginning where we left off at the Walker Art Center in Minneapolis, where about 8 feet was added), midway through an intense rug-crochet weekend, training…
…the village-like colonization of the beautiful brutalist Berkeley Art Museum by a community of makers organized by artist David Wilson – along with director Larry Rinder – was marked this…
…always tastes better, where we are preparing for the installation of the traveling Domestic Integrities rug at the Berkeley Art Museum as a part of The Possible curated by…